What brought us all to the dance floor was a dance craze called, The Hustle which was originally a Hispanic line dance, popular in New York City and Florida. The appeal for disco spread and by the early 70s discos was everywhere. Often they would talk to the crowd in a radio show kind of way. With less emphasis on live performances, the new centre of attention was Disc Jockeys (DJs) who played recorded music to the audience. Mixed race venues and dance clubs for gay people had sprung up in all major cities in the West. Disco music puts an equal accent on all four beats and could be heard in discothèques (the French word for nightclub). Like many other early disco performers, Sly Stone had come from a funk-oriented background. The movement started in the late sixties with dance records like Dance to the Music by Sly and the Family Stone. When the two genres were brought together, disco was born. Simultaneous development in the cities of the north and south of North America gave soul music a wide appeal and the definitive sound can be heard in Aretha Franklin's "I Never Loved a Man (The Way I Love You)" (1967) These musicians started to merge funky rhythms into their cool jazz.Īt the same time, soul music evolved through the 50s with its origins were deep in R&B and gospel music. Initially, funky music was live music and not dance music which suited jazz musicians like Miles Davis and Herbie Hancock. The same formation had been seen in bebop jazz. Much less emphasis was placed on harmony and the rhythms of funk became more complex with fewer chord changes. In Funky music, guitars and the horn section were used to drive the rhythm and beat with bass lines the centerpiece of the song. Tento článok je čiastočný alebo úplný preklad článku 1979 in music na anglickej Wikipédii (číslo revízie nebolo určené).James Brown was probably the first popular funk performer and literally forged the new genre of African American music by changing emphasis from the 2nd and 4th beats (backbeat) to a downbeat rhythm with an accent on the 1 and 3 counts (of 4 beats to the bar). Tento článok je čiastočný alebo úplný preklad článku 1979 v hudbě na českej Wikipédii (číslo revízie nebolo určené).
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Kenny Ascher & Paul Williams, zo filmu The Muppet Movie "I'd Rather Leave While I'm In Love" w.m.Alan Thicke, Gloria Loring, and Al Burton, zo seriálu The Facts of Life " Another Brick in the Wall, Part II" – Pink Floyd (3 týždne v roku 1979 + 2 týždne v roku 1980)." Walking on the Moon" – The Police (1)."When You're in Love with a Beautiful Woman" – Dr." Video Killed the Radio Star" – The Buggles (1)." Message in a Bottle" – The Police (3)." We Don't Talk Anymore" – Cliff Richard (4)." I Don't Like Mondays" – The Boomtown Rats (4).Are 'Friends' Electric?- Tubeway Army (4)." Hit Me With Your Rhythm Stick" – Ian Dury & The Blockheads (1)." Y.M.C.A." – Village People (3) najpredávanejší singel roku." Escape (The Piña Colada Song)" – Rupert Holmes (2 týždne v roku 1979 + 1 týždeň in 1980)īritské #1 hity." No More Tears (Enough is Enough)" – Barbra Streisand & Donna Summer (2)." Don't Stop 'Til You Get Enough" – Michael Jackson (1)." What a Fool Believes" – The Doobie Brothers (1)." Da Ya Think I'm Sexy?" – Rod Stewart (4).Wonderful Christmastime – Paul McCartney.When You're in Love With A Beautiful Woman – Dr.Hook.What You Won't Do for Love – Bobby Caldwell.Damn the Torpedoes – Tom Petty and the Heartbreakers.Back to the Egg – Paul McCartney and Wings.